Well, I’ve talked about television for 2 of the past 3 weeks. Let’s talk about literature for a bit.
For a while now, all the books I’ve consumed have been audiobooks. I have a long drive to work, and it helps me keep up with all the reading I want to do. So pretty much any newer author that I’ve been interested in checking out have been via audiobook. One such author is Joe Hill.
Hill is actually Joseph Hillstrom King, middle child of the pinnacle of my pentagram of literary idols, Stephen King. Although he is not the only one of the three to write novels, he is the only one to really carry forward his father’s style and traditions, and he writes large, sprawling, character-driven pieces with supernatural cores that seem to all take place in a shared universe. While I’ll admit that I initially checked out Hill’s novels simply on the basis of his parentage, I was soon hooked on his talent. He’s similar enough to his father that, if you’re a fan (as I am), you’ll almost certainly enjoy his writing, but not so similar that you feel like the work is a retread. I just finished Strange Weather, which means I’ve read most of his work thus far, and I thought I’d share a bit of my perspective on them, both as novels and as audiobooks.
I’ve mostly listened to them in order of publication, which means I started with Heart-Shaped Box, which is where I first realized that here was a talent to rival my 5 literary idols.1 HSB is about the washed-up ex-singer of a heavy metal band, and it was where I started to appreciate the depth of Hill’s worlds, as so many things that at first seemed casually tossed out just for background all came together at the end, like the pieces of a jigsaw puzzle falling into place at the last minute. The audiobook is read by Stephen Lang, the gravelly-voiced actor who you may think of as the “bad guy” from Avatar, but I will probably always see him as the wheelchair-bound Waldo from Into the Badlands, or maybe as the terrifying blind man who is the “victim” in Don’t Breathe. It’s a perfect voice for this whiskey-soaked tale.
Next up was Horns, which was read by Fred Berman (a voice actor mainly known for a bunch of videogames I’ve never played). It was also later turned into a movie starring Daniel Radcliffe, which I also highly recommend. It lacks some of the depth of the novel, of course, but it’s not a bad adaption, and Radcliffe does a pretty damn good job playing Iggy Perrish, a character who spoke to me even more than those in Heart-Shaped Box. Even better, Horns has one of those insane plots that sounds like it’s going to be completely ridiculous when you first hear it, but then becomes amazing as you start to delve into it. I could easily see how Hill got his start in comics, because this is a comic book story if there ever was one, although still with the layers and layers of character development that you expect from a novel of this nature. Plus it has some interesting things to say about human nature and the nature of secrets.
And then we come to NOS4A2. See, Heart-Shaped Box was very good, and Horns was super-fun, but this book, beautifully rendered by Kate Mulgrew,2 is finally the classic you knew had to be coming. It’s sprawling, and bounces around in time and folds back in on itself, and deals with childhood and memory and the nature of evil. The characters are amazing and so real you swear you’ve met them before. The action is gripping and sucks you in completely—
As I mentioned above, I just finished Strange Weather, which I suppose is Hill’s version of Different Seasons.3 As with his father’s work, this one is a set of 4 novellas loosely tied together thematically via weather, especially clouds.4 In the audibook version, each is read by a separate narrator, and they really have very little to do with each other, so let’s treat them as 4 separate books.
Snapshot is very good, and quite interesting; it’s read by Wil Wheaton, who I’ve gushed over before in the context of audiobook reader. This was an excellent choice, and the novella is well worth it.
Loaded, on the other hand, is one of those dreary affairs where you know perfectly well what the author was going for, and why things had to happen as they did, but that doesn’t make you enjoy it any more. The reader is once again Stephen Lang, and once again it’s an inspired choice, but it doesn’t really save the story in my opinion. This is also the only one of Hill’s works, at least of the ones I’m familiar with, that has zero supernatural elements at all in it,5 so perhaps I’m biased.
Aloft is a bit of a weird one for me: while the characters felt very real to me, and the backstory was detailed and extensive, the plot itself felt a little light ... not much “there” there, if you catch my drift. This alone of the novellas felt like it really should have been part of a larger work. The reader is Dennis Boutsikaris, who you probably know from many things: ER, or *batteries not included, or, more recently, a recurring role on Better Call Saul. He was fine, although I didn’t find him as perfect a choice as nearly all the other readers.
Finally, Rain is the clear winner. Audiobook-wise, there’s another amazing performance from Kate Mulgrew, the characters are all insane and yet familiar, such as you might expect to find on a show like Twin Peaks or Northern Exposure, and the story is interesting, somehow inevitable and yet surprising at the same time, and the relevance to our current political situation is spot-on. Highly recommended.
In fact, they’re all recommended, to one degree or another. I also have The Fireman, the only other novel, already in my audiobook collection and ready to go.6 Which only leaves us with Locke & Key, his series of graphic novels,7 and 20th Century Ghosts, a collection of short stories, and I think that’s almost his entire output thus far. But I have to say, I’m mightily impressed with Joe Hill at this point in his career, and I’m sure that’s only going to improve over time. I’m not quite sure I’m ready to expand my pentagram of literary idols to a hexagram, but, who knows? Maybe someday I will. Maybe even someday soon.
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1 If you don’t recall, they are: Stephen King, Peter Straub, Dean Koontz, Clive Barker, and Neil Gaiman (in order of my discovery of them).
2 Whom you may think of as either Captain Janeway from Voyager or Red from Orange Is the New Black: your choice.
3 Or perhaps Four Past Midnight, although I think stylistically/thematically Different Seasons is a closer analogue.
4 Although it’s closer to clouds of smoke in Loaded.
5 If we take “supernatural” to mean “beyond what we currently accept as reality.” If you think science fiction is entirely separate from “supernatural,” then there’s a few that fall into that bucket.
6 Another Kate Mulgrew reading. Apparently Hill really digs her. Which I totally understand.
7 Also soon to be a series, this one on Netflix.
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